{"id":185,"date":"2018-10-14T00:13:19","date_gmt":"2018-10-13T22:13:19","guid":{"rendered":"http:\/\/audreypennel.fr\/these\/?page_id=185"},"modified":"2021-11-13T18:16:31","modified_gmt":"2021-11-13T17:16:31","slug":"lapport-civilisateur-du-feminin-courtois","status":"publish","type":"page","link":"https:\/\/audreypennel.fr\/these\/lapport-civilisateur-du-feminin-courtois\/","title":{"rendered":"L\u2019APPORT CIVILISATEUR DU F\u00c9MININ COURTOIS"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"185\" class=\"elementor elementor-185 elementor-bc-flex-widget\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-310f565 elementor-section-stretched animated-slow elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-invisible\" data-id=\"310f565\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;,&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-narrow\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-5859c4ad\" data-id=\"5859c4ad\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-da08d7d animated-slow elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"da08d7d\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>La troisi\u00e8me partie de la th\u00e8se poursuit notre r\u00e9flexion autour de l\u2019identit\u00e9 de la femme aristocratique face \u00e0 celle de son mod\u00e8le id\u00e9el. Nous questionnons la construction de la figure de la dame sous plusieurs angles, entre m\u00e9tamorphose, genre, transgression et spiritualisation.<\/strong><\/p><p><strong>Chapitre 7\u00a0: L\u2019APPORT CIVILISATEUR DU F\u00c9MININ COURTOIS<\/strong><\/p><p>Le septi\u00e8me chapitre examine le r\u00f4le jou\u00e9 par l\u2019aim\u00e9e dans la cr\u00e9ation po\u00e9tique, musicale et ludique. Il nous semble pertinent d\u2019interroger la mani\u00e8re dont la dame agit en tant que muse du po\u00e8te, m\u00e9diatrice de connaissance et apporte une dimension civilisatrice couple courtois. Dans une telle perspective, une reconsid\u00e9ration de l\u2019identit\u00e9 m\u00eame du sujet f\u00e9minin est abord\u00e9e. L\u2019instrument \u00e0 cordes est-il une all\u00e9gorie du corps de l\u2019aim\u00e9e et agit-il en tant que m\u00e9dium de sa r\u00e9ification ? Nous examinons \u00e9galement les repr\u00e9sentations de la partie d\u2019\u00e9checs, tant\u00f4t significative d\u2019un proc\u00e9d\u00e9 de s\u00e9duction aristocratique, tant\u00f4t caract\u00e9ristique d\u2019un jeu de pouvoir les amants.<\/p><p>Cette \u00e9tude iconographique autour des jeux de cr\u00e9ation, de savoir et de pouvoir, nous permet d\u2019aborder les relations entre f\u00e9minin et masculin mais aussi entre faits culturels et distractions fictives, dans l\u2019imagerie courtoise et aristocratique de la fin du Moyen \u00c2ge.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-50b90ee2 elementor-invisible\" data-id=\"50b90ee2\" data-element_type=\"column\" data-e-type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;slideInDown&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6fca9ef9 elementor-widget elementor-widget-image-gallery\" data-id=\"6fca9ef9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-image-gallery\">\n\t\t\t<div id='gallery-1' class='gallery galleryid-185 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"Chapitre 7 : L\u2019APPORT CIVILISATEUR DU F\u00c9MININ COURTOIS\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTg2LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzEwLTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-3.png'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-186\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-186'>\n\t\t\t\tFigure 1: Machaut composant, Voir-Dit, France (Reims), vers 1372-1377, Paris, BNF, Ms. Fr. 1584, f. 242\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"11\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTg3LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzExLTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-3.png'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-187\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-187'>\n\t\t\t\tFigure 2 : Machaut \u00e9crivant, Lais, Ma\u00eetre du Rem\u00e8de de Fortune, France (Paris), 1350-1356, Paris, BNF, Ms. Fr. 1586, f. 165\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"12\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTg4LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzEyLTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12-3.png'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-188\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-188'>\n\t\t\t\tSaint Mathieu l&rsquo;Evang\u00e9liste \u00e9crivant sous la dict\u00e9e de l&rsquo;ange, France (Paris), vers 1240, fragment de haut-relief, jub\u00e9 de la cath\u00e9drale de Chartres, Paris, Mus\u00e9e du Louvre\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"13\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTg5LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzEzLTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-189\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-189'>\n\t\t\t\tFigure 3 : Christine de Pizan lisant aux bourgeois, Proverbes moraux, Ma\u00eetre de la Cit\u00e9 des Dames et coll., France (Paris), 1410-1414, Londres BL, Harley 4431, f. 259v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"14\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTkwLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE0LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-190\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-190'>\n\t\t\t\tFigure 4 : Minerve apparaissant \u00e0 Christine de Pizan dans son \u00e9tude et lui d\u00e9signant une arm\u00e9e de chevaliers, Livre des faits d&rsquo;armes et de chevalerie, Ma\u00eetre de la Cit\u00e9 des Dames, France (Paris), vers 1410-1411, Paris, BNF, Ms. Fr. 603, f. 2\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"15\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTkxLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE1LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-191\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-191'>\n\t\t\t\tApparition de Minerve \u00e0 Christine \u00e9crivant, Livre des faits d&rsquo;armes et de chevalerie, Angleterre (Londres), 1434, Londres, BL, Harley 4605, f. 3\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"16\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTkyLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE2LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-192\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-192'>\n\t\t\t\tFigure 5 : Arriv\u00e9e de Tristan en Irlande, Tristan en prose, Evrard d\u2019Espinques, France (Ahun), vers 1470, Paris, BNF, Ms. Fr. 112 (1), f. 74\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"17\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTkzLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE3LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-193\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-193'>\n\t\t\t\tFigure 6 : Nature conseille l\u2019amant, Le livre des Echecs amoureux, Robinet Testard, France (Cognac), vers 1498, Paris, BNF, Ms. Fr. 143, f. 23\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"18\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTk0LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE4LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-194\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-194'>\n\t\t\t\tJeunes gens jouant de la musique sous les fen\u00eatres d&rsquo;une dame, Mois de Mai, Heures \u00e0 l&rsquo;usage de Rome, Flandres, 4e quart du XVe si\u00e8cle, Paris, Bibl. Mazarine, ms. 502, f. 5\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"19\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTk1LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE5LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-195\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-195'>\n\t\t\t\tFigure 7 : Concert amoureux, Le Champion des Dames, Ma\u00eetre du Dit de Remord et de Cheminant, France (Lille), 1475, Paris, BNF, Ms. Fr. 841, f. 79\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"20\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTk2LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIwLTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-196\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-196'>\n\t\t\t\tFigure 8 : Couple de musiciens, Miniature du mois de mai, Livre d&rsquo;heures, Entourage de Simon Marmion, Bourgogne-Flandres, vers 1485-1490, Houghton Library, Harvard University, Cambridge, Massachussetts, Ms. Typ. 443, f. 6\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"21\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTk3LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIxLTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-197\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-197'>\n\t\t\t\tJeune femme jouant de l&rsquo;orgue portatif et jeune homme jouant de la harpe, coffret, couvercle en ivoire, France (Bourgogne), vers 1430-1460, Paris, mus\u00e9e du Louvre\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"22\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTk4LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIyLTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-198\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-198'>\n\t\t\t\tFigure 9 : Dame jouant de la harpe, Breviarium romanum, France (St Omer), vers 1310-1320, Cambridge, Trinity College, Ms. B.11.22, f. 194\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"23\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTk5LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIzLTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-199\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-199'>\n\t\t\t\tHybrides musiciens, Chroniques de Jean Froissart, Atelier de LoysetLi\u00e9det, Flandres (Bruges), vers 1470, Paris, BNF, Ms. Fr. 2643, f. 72\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"24\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjAwLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI0LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-200\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-200'>\n\t\t\t\tFigure 10 : Une messag\u00e8re de Palam\u00e8de chante pour Tristan trois lais qu&rsquo;il a compos\u00e9, Tristan en prose, Haincelin de Haguenau, France (Paris), 1er quart du XVe si\u00e8cle, Vienne, Biblioth\u00e8que nationale d&rsquo;Autriche, Codex 2537, f. 103\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"25\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjAxLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI1LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/25-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/25-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-201\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/25-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/25-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-201'>\n\t\t\t\tFigure 11: Joueurs d&rsquo;\u00e9checs, Jeu des \u00e9checs moralis\u00e9s, Perrin Remiet, France (Paris), vers 1400, Paris, BNF, Ms. Fr. 1165, f. 2v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"26\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjAyLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI2LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/26-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/26-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-202\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/26-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/26-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-202'>\n\t\t\t\tFigure 12 : Cassiel et Ph\u00e9sona jouant aux \u00e9checs, Les V\u0153ux du Paon, France (Paris), vers 1340-1360, Paris, BNF, Ms. Fr. 12565, f. 78v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"27\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjAzLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI3LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/27-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/27-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-203\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/27-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/27-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-203'>\n\t\t\t\tJoueurs d\u2019\u00e9checs, vitrail civil, vers 1450, H : 54,2 cm, L : 54 cm, provenance : H\u00f4tel de la Bess\u00e9e, Villefranche-sur-Sa\u00f4ne, Paris, Mus\u00e9e National du Moyen \u00c2ge\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"28\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjA0LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI4LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/28-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/28-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-204\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/28-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/28-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-204'>\n\t\t\t\tFigure 13 : Tristan et Iseut jouant aux \u00e9checs, Tristan en prose, Ma\u00eetre du Missel de Yale, France (Centre), vers 1470, Paris, BNF, Ms. Fr. 102, fol. 66\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"29\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjA1LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI5LTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/29-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/29-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-205\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/29-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/29-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-205'>\n\t\t\t\tFigure 13(a) : Tristan et Iseut jouant aux \u00e9checs, Tristan en prose, Ma\u00eetre du Missel de Yale, France (Centre), vers 1470, Paris, BNF, Ms. Fr. 102, fol. 66 (d\u00e9tail)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"30\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjA2LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzMwLTMucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/30-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/30-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-206\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/30-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/30-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-206'>\n\t\t\t\tJoueurs d\u2019\u00e9checs, Valve de miroir en ivoire, France (Paris), vers 1300, D. : 11,50 cm. ; Pr. 0,90 cm, Paris, Mus\u00e9e du Louvre\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"31\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjA3LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzMxLTIucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/31-2.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/31-2-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-207\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/31-2-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/31-2-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-207'>\n\t\t\t\tFigure 14 : Jean de Lens et son amie jouant aux \u00e9checs, Psautier, France (Amiens), vers 1290-1300, Paris, BNF, Ms. Lat. 10435, fol. 61\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"32\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjA4LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzMyLTIucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/32-2.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/32-2-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-208\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/32-2-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/32-2-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-208'>\n\t\t\t\tFigure 14 (a) : Jean de Lens et son amie jouant aux \u00e9checs, Psautier, France (Amiens), vers 1290-1300, Paris, BNF, Ms. Lat. 10435, fol. 61 (d\u00e9tail)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"33\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjA5LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzMzLTIucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/33-2.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/33-2-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-209\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/33-2-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/33-2-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-209'>\n\t\t\t\tFigure 15 : Evrard de Conty et les joueurs d\u2019\u00e9checs, Le livre des Echecs amoureux, Robinet Testard, France (Cognac), vers 1498, Paris, BNF, Ms. Fr. 143, f. 1\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"34\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjEwLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzM0LTIucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/34-2.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/34-2-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-210\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/34-2-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/34-2-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-210'>\n\t\t\t\tFigure 15(a) : Charles d&rsquo;Angoul\u00eame et Louise de Savoie jouant aux \u00e9checs, Le livre des Echecs amoureux, Robinet Testard, France (Cognac), vers 1498, Paris, BNF, Ms. Fr. 143, f. 1 (d\u00e9tail)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"6fca9ef9\" data-elementor-lightbox-title=\"35\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjExLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzM1LTIucG5nIiwic2xpZGVzaG93IjoiNmZjYTllZjkifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/35-2.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/35-2-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-211\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/35-2-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/35-2-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-211'>\n\t\t\t\tCharles d&rsquo;Angoul\u00eame et Louise de Savoie jouant aux \u00e9checs, Le livre des Echecs amoureux, Robinet Testard, France (Cognac), vers 1498, Paris, BNF, Ms. Fr. 143, f. 1 (d\u00e9tail)\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>La troisi\u00e8me partie de la th\u00e8se poursuit notre r\u00e9flexion autour de l\u2019identit\u00e9 de la femme aristocratique face \u00e0 celle de son mod\u00e8le id\u00e9el. Nous questionnons la construction de la figure de la dame sous plusieurs angles, entre m\u00e9tamorphose, genre, transgression et spiritualisation. Chapitre 7\u00a0: L\u2019APPORT CIVILISATEUR DU F\u00c9MININ COURTOIS Le septi\u00e8me chapitre examine le r\u00f4le &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/audreypennel.fr\/these\/lapport-civilisateur-du-feminin-courtois\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;L\u2019APPORT CIVILISATEUR DU F\u00c9MININ COURTOIS&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-185","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/comments?post=185"}],"version-history":[{"count":3,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/185\/revisions"}],"predecessor-version":[{"id":214,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/185\/revisions\/214"}],"wp:attachment":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/media?parent=185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}