{"id":216,"date":"2018-10-14T00:26:20","date_gmt":"2018-10-13T22:26:20","guid":{"rendered":"http:\/\/audreypennel.fr\/these\/?page_id=216"},"modified":"2021-11-13T18:16:19","modified_gmt":"2021-11-13T17:16:19","slug":"la-dame-spiritualisee-une-reinterpretation-de-la-devotion-a-marie","status":"publish","type":"page","link":"https:\/\/audreypennel.fr\/these\/la-dame-spiritualisee-une-reinterpretation-de-la-devotion-a-marie\/","title":{"rendered":"LA DAME SPIRITUALIS\u00c9E.  UNE R\u00c9INTERPR\u00c9TATION DE LA D\u00c9VOTION \u00c0 MARIE."},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"216\" class=\"elementor elementor-216 elementor-bc-flex-widget\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-79288007 elementor-section-stretched animated-slow elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-invisible\" data-id=\"79288007\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;,&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-narrow\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-4a692a1a\" data-id=\"4a692a1a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-249420fb animated-slow elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"249420fb\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Chapitre 8\u00a0:\u00a0LA DAME SPIRITUALIS\u00c9E. <\/strong><br \/><strong>UNE R\u00c9INTERPR\u00c9TATION DE LA D\u00c9VOTION \u00c0 MARIE<\/strong><\/p><p>Notre huiti\u00e8me chapitre consacr\u00e9 \u00e0 l\u2019identit\u00e9 d\u2019une dame spiritualis\u00e9e, qu\u2019elle soit r\u00e9elle, fictive ou divinis\u00e9e. Il s\u2019agit de comprendre comment la mise en sc\u00e8ne de son <em>ymage<\/em>, sa position sur un tr\u00f4ne ou dans les nu\u00e9es, rappelle l\u2019imagerie de la Vierge au point de susciter des gestes de pri\u00e8re et de c\u00e9l\u00e9brations semblable \u00e0 ceux effectu\u00e9s dans le cadre de la d\u00e9votion mariale.<\/p><p>Nous examinons les figures de la Vierge, de la dame aim\u00e9e et de la divinit\u00e9 all\u00e9gorique, mises en sc\u00e8ne \u00e0 travers l\u2019expression visuelle de cultes aux codes parfois semblables. Au cours du Moyen \u00c2ge, les po\u00e8tes s\u2019adressent \u00e0 la Vierge sous l\u2019appellation de dame ou amie, dans des termes proches de ceux employ\u00e9s \u00e0 l\u2019\u00e9gard des femmes qu\u2019ils courtisent. Si la <em>fin\u2019amor<\/em> exalte un amour spirituel qui c\u00e9l\u00e8bre la beaut\u00e9 morale, la doctrine pr\u00f4ne \u00e9galement la beaut\u00e9 charnelle de la dame, que le po\u00e8te contemple. Cette contemplation charnelle et spirituelle, est accompagn\u00e9e d\u2019un hommage qui n\u00e9cessite, dans certains cas, une forme de don.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-186c422a elementor-invisible\" data-id=\"186c422a\" data-element_type=\"column\" data-e-type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;slideInDown&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3952ee22 elementor-widget elementor-widget-image-gallery\" data-id=\"3952ee22\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-image-gallery\">\n\t\t\t<div id='gallery-1' class='gallery galleryid-216 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"Chapitre 8 : LA DAME SPIRITUALIS\u00c9E.  UNE R\u00c9INTERPR\u00c9TATION DE LA D\u00c9VOTION \u00c0 MARIE\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjE4LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzEwLmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-218\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-218'>\n\t\t\t\tFigure 1: Machaut admirant le portrait, Livre du Voir-Dit, France (Reims), vers 1372-1377, Paris, BNF, Ms. Fr. 1584, f. 235v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"11\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjE5LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzExLmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-219\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-219'>\n\t\t\t\tFigure 2 : Machaut admirant la statue, Livre du Voir-Dit, Perrin Remiet, France (Paris), vers 1390, Paris, BNF, Ms. Fr. 22545, f. 148\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"13\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjIwLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzEzLmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-220\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-220'>\n\t\t\t\tFigure 3: La conversion de Josaphat, Miracles de Nostre Dame par personnages, France (Paris), vers 1395, Paris, BNF, Ms. Fr. 819, f. 235\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"14\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjIxLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE0LmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-221\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-221'>\n\t\t\t\tLe livre d\u2019images, Histoire d&rsquo;amour sans paroles, France (Vall\u00e9e de la Loire), vers 1500, Chantilly, Mus\u00e9e Cond\u00e9, ms. 388, f. 5v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"15\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjIyLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE1LmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-222\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-222'>\n\t\t\t\tFigure 4 : Hommage \u00e0 Jeanne Ire de Naples, Des cleres et nobles femmes, Ma\u00eetre du Couronnement de la Vierge, France (Paris), 1402, Paris, BNF, Ms. Fr. 12420, f. 165\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"16\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjIzLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE2LmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-223\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-223'>\n\t\t\t\tFigure 5 : Hommage \u00e0 V\u00e9nus, Livre du C\u0153ur d&rsquo;amour \u00e9pris, Ma\u00eetre du c\u0153ur d\u2019amour \u00e9pris, France (Provence), vers 1480, Paris, BNF, Ms. Fr. 24399, f. 118v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"17\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjI0LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE3LmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-224\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-224'>\n\t\t\t\tFigure 6 : Jean de Dunois agenouill\u00e9 devant la vierge, Heures de Dunois, Ma\u00eetre de Dunois, France (Paris), 1440-1450, Londres, British Library, Yates Thompson 3 f. 22v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"18\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjI1LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE4LmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-225\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-225'>\n\t\t\t\tEtienne Chevalier en pri\u00e8re devant Vierge et l&rsquo;Enfant entour\u00e9s d&rsquo;anges, Diptyque de Melun, Jean Fouquet, 1452-1458, Huile sur bois, 120 x 224 cm, Anvers, Koninklijk Museum voor Schone Kunsten\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"19\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjI2LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE5LmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-226\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-226'>\n\t\t\t\tFigure 7 : V\u00e9nus et les amants, Livre du Voir-Dit, Perrin Remiet, France (Paris), vers 1390, Paris, BNF, Ms. Fr. 22545, fol. 162v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"20\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjI3LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIwLmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-227\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-227'>\n\t\t\t\tFigure 8 : L&rsquo;influence de V\u00e9nus, Ep\u00eetre d\u2019Oth\u00e9a, Ma\u00eetre de l&rsquo;Ep\u00eetre d&rsquo;Oth\u00e9a et collab., France (Paris), vers 1404-1406, Paris, BNF, Ms. Fr. 606, f. 6\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"21\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjI4LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIxLmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-228\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-228'>\n\t\t\t\tFigure 9 : Apparition de Minerve, Le Champion des Dames, Ma\u00eetre du Dit de Remord et de Cheminant, France (Lille), 1475, Paris, BNF, Ms. Fr. 841, f. 122\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"22\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjI5LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIyLmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-229\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-229'>\n\t\t\t\tFigure 10 : Hommage \u00e0 la Vierge, Le Champion des dames, Ma\u00eetre du Missel de Paul Beye, France (Arras), 1451, Paris, BNF, Ms. Fr. 12476, f. 144\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"3952ee22\" data-elementor-lightbox-title=\"23\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjMwLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIzLmpwZyIsInNsaWRlc2hvdyI6IjM5NTJlZTIyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-230\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-230'>\n\t\t\t\tFigure 11 : Pri\u00e8re \u00e0 la Vierge, Le Champion des Dames, Ma\u00eetre du Dit de Remord et de Cheminant, France (Lille), 1475, Paris, BNF, Ms. Fr. 841, f. 144v\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Chapitre 8\u00a0:\u00a0LA DAME SPIRITUALIS\u00c9E. UNE R\u00c9INTERPR\u00c9TATION DE LA D\u00c9VOTION \u00c0 MARIE Notre huiti\u00e8me chapitre consacr\u00e9 \u00e0 l\u2019identit\u00e9 d\u2019une dame spiritualis\u00e9e, qu\u2019elle soit r\u00e9elle, fictive ou divinis\u00e9e. Il s\u2019agit de comprendre comment la mise en sc\u00e8ne de son ymage, sa position sur un tr\u00f4ne ou dans les nu\u00e9es, rappelle l\u2019imagerie de la Vierge au point de &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/audreypennel.fr\/these\/la-dame-spiritualisee-une-reinterpretation-de-la-devotion-a-marie\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;LA DAME SPIRITUALIS\u00c9E.  UNE R\u00c9INTERPR\u00c9TATION DE LA D\u00c9VOTION \u00c0 MARIE.&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-216","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/comments?post=216"}],"version-history":[{"count":3,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/216\/revisions"}],"predecessor-version":[{"id":232,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/216\/revisions\/232"}],"wp:attachment":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/media?parent=216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}