{"id":235,"date":"2018-10-14T01:05:45","date_gmt":"2018-10-13T23:05:45","guid":{"rendered":"http:\/\/audreypennel.fr\/these\/?page_id=235"},"modified":"2021-11-13T18:15:54","modified_gmt":"2021-11-13T17:15:54","slug":"le-corps-feminin-en-transgression","status":"publish","type":"page","link":"https:\/\/audreypennel.fr\/these\/le-corps-feminin-en-transgression\/","title":{"rendered":"LE CORPS F\u00c9MININ EN TRANSGRESSION"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"235\" class=\"elementor elementor-235 elementor-bc-flex-widget\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3e41d8a3 elementor-section-stretched animated-slow elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-invisible\" data-id=\"3e41d8a3\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;,&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-narrow\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-187ea531\" data-id=\"187ea531\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-45e33250 animated-slow elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"45e33250\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Chapitre 9\u00a0: LE CORPS F\u00c9MININ EN TRANSGRESSION<\/strong><\/p><p>Lou\u00e9e pour son esprit et sa force d\u2019\u00e2me, la dame de la <em>fin\u2019amor <\/em>est aussi c\u00e9l\u00e9br\u00e9e pour son corps mat\u00e9riel, ce \u00ab\u00a0<em>Bel cors\u00a0<\/em>\u00bb d\u00e9sirable mais douloureusement inaccessible.<\/p><p>La vision du corps, son approche et finalement, l\u2019union souhait\u00e9e avec celui-ci, sont relat\u00e9es dans certains r\u00e9cits chevaleresques et all\u00e9goriques.\u00a0<\/p><p>Notre avant derni\u00e8re analyse s\u00e9rielle, concerne les repr\u00e9sentations de la nudit\u00e9 f\u00e9minine entre pudeur et transgression. \u00c0 partir de l\u2019image des amants aux bains, nous observons les gestes d\u2019intimit\u00e9 partag\u00e9s, mais aussi l\u2019interpr\u00e9tation visuelle de corps parfois peu diff\u00e9renci\u00e9s dans leurs attributs sexu\u00e9s. Nous abordons la question du corps f\u00e9minin d\u00e9voil\u00e9 au regard, entre voyeurisme, abus sexuel et nudit\u00e9 du corps mort, support du <em>Memento Mori<\/em>. Cette approche se conclu par l\u2019imagerie du co\u00eft adult\u00e8re face \u00e0 celle de l\u2019union licite, o\u00f9 d\u00e9sordre et contre-mod\u00e8les apparaissent au regard d\u2019une stricte codification visuelle. \u00a0<\/p><p>Le corps f\u00e9minin mis en image est r\u00e9v\u00e9lateur de la fa\u00e7on dont la dame ou l\u2019\u00e9pouse apparait en tant que simple objet du voyeurisme masculin, vectrice de transgression ou actrice des \u00e9changes amoureux. Le d\u00e9sordre engendr\u00e9 par les contre-mod\u00e8les, rend parfois son identit\u00e9 plus ambig\u00fce, entre confusion des genres, construction id\u00e9elle et normes id\u00e9ologiques.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-3bb7a57d elementor-invisible\" data-id=\"3bb7a57d\" data-element_type=\"column\" data-e-type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;slideInDown&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2bdc3185 elementor-widget elementor-widget-image-gallery\" data-id=\"2bdc3185\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-image-gallery\">\n\t\t\t<div id='gallery-1' class='gallery galleryid-235 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"Chapitre 9 : LE CORPS F\u00c9MININ EN TRANSGRESSION\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjM2LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzEwLTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-236\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-236'>\n\t\t\t\tFigure 1 : Caradoc Bri\u00e9bras et Guignier se retrouvant, puis se baignant dans les cuves, Le conte du Graal (premi\u00e8re continuation), France (Paris), vers 1330, Paris, BNF, Ms. Fr. 12577, fol. 108\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"11\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjM3LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzExLTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-237\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-237'>\n\t\t\t\tFigure 2 : Hermaphrodite et la nymphe \u00e0 la fontaine Salmacis, L&rsquo;Ep\u00eetre d&rsquo;Oth\u00e9a, Ma\u00eetre de la Cit\u00e9 des Dames et coll., 1410-1414, France (Paris), Londres, British Library, Harley 4431, f. 132v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"12\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjM4LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzEyLmpwZyIsInNsaWRlc2hvdyI6IjJiZGMzMTg1In0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-238\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-238'>\n\t\t\t\tFigure 3 : Couple au bain, Miniature du mois d\u2019Ao\u00fbt, Livre d\u2019Heures dit de Charles Quint, France (Paris), atelier de Jean Poyer, dernier quart du XVe si\u00e8cle, Madrid, Biblioth\u00e8que nationale d\u2019Espagne, Cod. Vitr. 24-3, f. 10v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"13\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjM5LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzEzLTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-239\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-239'>\n\t\t\t\tFigure 3(a) : Couple au bain, Miniature du mois d\u2019Ao\u00fbt, Livre d\u2019Heures dit de Charles Quint, France (Paris), atelier de Jean Poyer, dernier quart du XVe si\u00e8cle, Madrid, Biblioth\u00e8que nationale d\u2019Espagne, Cod. Vitr. 24-3, f. 10v (d\u00e9tail)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"14\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjQwLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE0LTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-240\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-240'>\n\t\t\t\tCouple au bain, Compost et calendrier des bergers, France (Paris), 1493, Angers, Biblioth\u00e8que Municipale, SA 3390, f. 71\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"15\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjQxLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE1LTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-241\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-241'>\n\t\t\t\tFigure 4 : Candaule montrant son \u00e9pouse \u00e0 Gyg\u00e8s, Des cas des nobles hommes et femmes, France (Paris), entre 1450 et 1475, Paris, BNF, Ms. Fr. 127, f. 62v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"16\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjQyLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE2LTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-242\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-242'>\n\t\t\t\tFigure 5 : Pygmalion tentant de faire l&rsquo;amour avec sa statue, Le Roman de la Rose, Robinet Testard, France (Cognac), vers 1498, Oxford, Bodleian Library, Ms. Douce 195, f. 151\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"17\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjQzLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE3LTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-243\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-243'>\n\t\t\t\tFigure 6 : Sc\u00e8ne d\u2019enterrement et bordure histori\u00e9e, Heures de Pierre II de Bretagne, France (Nantes), 1455-1457, Paris, BNF, Ms. Lat. 1159, f. 98\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"18\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjQ0LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE4LTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-244\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/18-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-244'>\n\t\t\t\tFigure 6 (a) : Bordure histori\u00e9e : La Mort frappant un homme, la reine \u00e9tendue morte, Heures de Pierre II de Bretagne, France (Nantes), 1455-1457, Paris, BNF, Ms. Lat. 1159, f. 98 (d\u00e9tail)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"19\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjQ1LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE5LTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-245\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-245'>\n\t\t\t\tFigure 7 : Nicostrate abus\u00e9 par son \u00e9pouse, D\u00e9cameron, Ma\u00eetre de Fastolf, France (Paris), vers 1430, Paris, BNF, Ms. Fr. 239, fol. 204v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"20\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjQ2LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIwLTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-246\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-246'>\n\t\t\t\tFigure 8 : Morgane surprenant les amants dans le Val sans retour, Lancelot en prose, France (Poitiers), vers 1480, Paris, BNF, Ms. Fr. 111, f. 109\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"21\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjQ3LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIxLTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-247\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-247'>\n\t\t\t\tFigure 9 : V\u00e9nus et Mars, surpris par Vulcain, Roman de la Rose, France (Paris), 1380, Londres British Library, Egerton 881, f. 141v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"22\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjQ4LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIyLTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-248\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-248'>\n\t\t\t\tFigure 10 : Lancelot et Gueni\u00e8vre surpris, Mort le Roi Artu, Evrard d&rsquo;Espinques, France (Ahun), 1470, Paris BNF, Ms. Fr. 112 (3), f. 203v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"23\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjQ5LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIzLTEuanBnIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-249\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-249'>\n\t\t\t\tFigure 11: Les \u00e9poux s\u2019appr\u00eatant \u00e0 concevoir, Vita Christi, France (Bourgogne ?), vers 1490, Paris, Arsenal, ms. 5206, f. 174v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"2bdc3185\" data-elementor-lightbox-title=\"24\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjUwLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI0LTQucG5nIiwic2xpZGVzaG93IjoiMmJkYzMxODUifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-4.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-4-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-250\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-4-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-4-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-250'>\n\t\t\t\tFigure 12 : La forge de Nature, Roman de la Rose, France (Paris), 1365, University of Chicago Library, Ms. 1380, f. 102v\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Chapitre 9\u00a0: LE CORPS F\u00c9MININ EN TRANSGRESSION Lou\u00e9e pour son esprit et sa force d\u2019\u00e2me, la dame de la fin\u2019amor est aussi c\u00e9l\u00e9br\u00e9e pour son corps mat\u00e9riel, ce \u00ab\u00a0Bel cors\u00a0\u00bb d\u00e9sirable mais douloureusement inaccessible. La vision du corps, son approche et finalement, l\u2019union souhait\u00e9e avec celui-ci, sont relat\u00e9es dans certains r\u00e9cits chevaleresques et all\u00e9goriques. Notre &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/audreypennel.fr\/these\/le-corps-feminin-en-transgression\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;LE CORPS F\u00c9MININ EN TRANSGRESSION&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-235","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/comments?post=235"}],"version-history":[{"count":3,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/235\/revisions"}],"predecessor-version":[{"id":253,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/235\/revisions\/253"}],"wp:attachment":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/media?parent=235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}