{"id":255,"date":"2018-10-14T01:19:05","date_gmt":"2018-10-13T23:19:05","guid":{"rendered":"http:\/\/audreypennel.fr\/these\/?page_id=255"},"modified":"2021-11-13T18:15:47","modified_gmt":"2021-11-13T17:15:47","slug":"les-metamorphoses-de-la-dame","status":"publish","type":"page","link":"https:\/\/audreypennel.fr\/these\/les-metamorphoses-de-la-dame\/","title":{"rendered":"LES M\u00c9TAMORPHOSES DE LA DAME"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"255\" class=\"elementor elementor-255 elementor-bc-flex-widget\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-28c1049 elementor-section-stretched animated-slow elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-invisible\" data-id=\"28c1049\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;,&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-narrow\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-6fcf2316\" data-id=\"6fcf2316\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-755bcb13 animated-slow elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"755bcb13\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Chapitre 10\u00a0: LES M\u00c9TAMORPHOSES DE LA DAME<\/strong><\/p><p>Le dixi\u00e8me et dernier chapitre de la th\u00e8se, est consacr\u00e9 aux m\u00e9tamorphoses de la dame \u00e0 travers les th\u00e9matiques visuelles de sa r\u00e9ification. Nous analysons sa red\u00e9finition en tant que corps social all\u00e9gorique, puis l\u2019expression symbolique de son corps \u00e0 travers l\u2019imagerie du ch\u00e2teau assi\u00e9g\u00e9 et du jardin clos. Le motif du miroir est ensuite appr\u00e9hend\u00e9 comme vecteur d\u2019alt\u00e9rit\u00e9, \u00e0 travers les repr\u00e9sentations de figures f\u00e9minines incarnant l\u2019oisivet\u00e9 et la luxure. Ce travail s\u2019ach\u00e8ve par la consid\u00e9ration d\u2019une dame enti\u00e8rement r\u00e9ifi\u00e9e et peut \u00eatre absente, m\u00e9tamorphos\u00e9e en une rose innocente et surtout inconsciente du d\u00e9sir qu\u2019elle suscite.<\/p><p>Si la dame figur\u00e9e au c\u0153ur d\u2019une entit\u00e9 physique participe de l\u2019\u00e9galit\u00e9 sociale, son image associ\u00e9e \u00e0 la personnification d\u2019un vice la red\u00e9finit en tant que provocatrice du d\u00e9sir masculin.<\/p><p>L\u2019aim\u00e9e r\u00e9ifi\u00e9e devient, quant \u00e0 elle, l\u2019objet d\u2019un jeu amoureux. L\u2019amant p\u00e9n\u00e9trant \u00e0 l\u2019int\u00e9rieur du jardin clos, le si\u00e8ge ch\u00e2teau d\u2019amour ou le baiser accompagnant parfois la cueillette de la rose, sont autant de th\u00e8mes \u00e9vocateurs d\u2019abus sexuels dissimul\u00e9s derri\u00e8re une imagerie courtoise.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-349c4b elementor-invisible\" data-id=\"349c4b\" data-element_type=\"column\" data-e-type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;slideInDown&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-252e8832 elementor-widget elementor-widget-image-gallery\" data-id=\"252e8832\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-image-gallery\">\n\t\t\t<div id='gallery-1' class='gallery galleryid-255 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"Chapitre 10 : LES M\u00c9TAMORPHOSES DE LA DAME\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjU2LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzEwLTIuanBnIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-2.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-256\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-2-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/10-2-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-256'>\n\t\t\t\tFigure 1 : Le po\u00e8te sortant \u00e0 la campagne, Livre des quatre dames, France (Paris), vers 1417, Paris, BNF, Arsenal, ms. 2940, f. 1\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"11\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjU3LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzExLTIuanBnIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-2.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-257\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-2-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/11-2-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-257'>\n\t\t\t\tMarguerite de Navarre et ses trois amies, La Coche ou d\u00e9bat d\u2019amour, Ma\u00eetre de Fran\u00e7ois de Rohan, France (Paris), vers 1542, Chantilly, Mus\u00e9e Cond\u00e9, Ms. 522, f. 13\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"12\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjU4LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzEyLTEuanBnIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12-1.jpg'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-258\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12-1-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/12-1-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-258'>\n\t\t\t\tFigure 2 : Les amants r\u00e9unis en une seule personne, Lis ars d&rsquo;amour, de vertu et de boneurt\u00e9, France (Artois), vers 1300, Bruxelles, Biblioth\u00e8que royale Albert 1er, ms. 9543, fol. 22v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"13\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjU5LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzEzLTIuanBnIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-259\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-2-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/13-2-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-259'>\n\t\t\t\tFigure 3 : Si\u00e8ge du Chastel d&rsquo;Amour, Le Champion des Dames, Ma\u00eetre du Missel de Paul Beye, France (Arras), 1451, Paris, BNF, Ms. Fr. 12476, f. 3v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"14\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjYwLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE0LTIuanBnIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-260\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-2-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/14-2-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-260'>\n\t\t\t\tSi\u00e8ge du ch\u00e2teau d&rsquo;amour, Valve de miroir en ivoire, France (Paris), deuxi\u00e8me quart du XIVe si\u00e8cle, Paris, Mus\u00e9e du Louvre\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"15\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjYxLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE1LTQucG5nIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-4.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-4-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-261\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-4-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/15-4-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-261'>\n\t\t\t\tFigure 4: Le si\u00e8ge du ch\u00e2teau d&rsquo;Amour, Le Champion des Dames, Ma\u00eetre du Champion des Dames, France (Lille), vers 1460, Grenoble, Biblioth\u00e8que municipale, ms. 352, f. 7\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"16\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjYyLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE2LTIuanBnIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-262\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-2-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/16-2-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-262'>\n\t\t\t\tFigure 5 : La reine de Perse contemplant son royaume depuis le jardin suspendu de Babylone, Speculum humanae salvationis, France (Provence), vers 1470, Marseille, Biblioth\u00e8que municipale, ms. 89, f. 5\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"17\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjYzLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE3LTQucG5nIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-4.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-4-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-263\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-4-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/17-4-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-263'>\n\t\t\t\tFigure 6 : Amants dans un jardin, Le Livre du Duc des Vrais Amants, Ma\u00eetre d\u2019Egerton, France (Paris), vers 1407-1409, Paris, BNF, Ms. Fr. 836, f. 66v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"19\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjY0LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzE5LTIuanBnIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-264\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-2-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/19-2-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-264'>\n\t\t\t\tL&rsquo;\u00e9pouse et l&rsquo;\u00e9poux du Cantique des cantiques, Bible historiale, Ma\u00eetre d&rsquo;Egerton, France (Paris), d\u00e9but XVe, Paris BNF, Ms. Fr. 10, fol. 334\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"20\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjY1LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIwLTIuanBnIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-265\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-2-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/20-2-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-265'>\n\t\t\t\tFigure 7 : L&rsquo;amant \u00e0 la porte du Verger de D\u00e9duit, Le Roman de la Rose, France (Paris), vers 1400, Londres, British Library, Egerton 1069, f. 1\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"21\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjY2LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIxLTIuanBnIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-266\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-2-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/21-2-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-266'>\n\t\t\t\tFigure 8 : Le verger de D\u00e9duit, Le livre des Echecs amoureux, Robinet Testard, France (Cognac), vers 1498, Paris, BNF, Ms. Fr. 143, f. 198v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"22\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjY3LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIyLTIuanBnIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-267\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-2-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/22-2-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-267'>\n\t\t\t\tFigure 9 : L&rsquo;acteur et Valentin arrivant au ch\u00e2teau de V\u00e9nus, Le Champion des Dames, Ma\u00eetre du Missel de Paul Beye, France (Arras), 1451, Paris, BNF, Ms. Fr. 12476, f. 10\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"23\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjY4LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzIzLTIuanBnIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-268\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-2-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/23-2-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-268'>\n\t\t\t\tDavid et Bethsab\u00e9e au bain, Heures \u00e0 l&rsquo;usage de Rome, Paris, 1506, Orl\u00e9ans, Mus\u00e9e hist. et arch., A 5825, f. 48v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"24\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjY5LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI0LTUucG5nIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-5.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-5-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-269\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-5-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/24-5-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-269'>\n\t\t\t\tDavid et Bethsab\u00e9e au bain, Heures \u00e0 l&rsquo;usage de Rome, Paris, 1506, Orl\u00e9ans, Mus\u00e9e hist. et arch., A 5825, f. 48v (d\u00e9tail)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"25\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjcwLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI1LmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/25.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/25-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-270\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/25-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/25-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-270'>\n\t\t\t\tFigure 10 : Amant et Oiseuse, Le Roman de la Rose, France (Paris), vers 1350, Paris, BNF, Ms. Fr. 12593, f. 6\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"26\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjcxLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI2LTQucG5nIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/26-4.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/26-4-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-271\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/26-4-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/26-4-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-271'>\n\t\t\t\tFigure 10(a) : Amant et Oiseuse, Le Roman de la Rose, France (Paris), vers 1350, Paris, BNF, Ms. Fr. 12593, f. 6\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"27\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjcyLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI3LmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/27.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/27-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-272\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/27-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/27-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-272'>\n\t\t\t\tLa grande prostitu\u00e9e sur les eaux (1,48 x 2,43m), Tenture de l\u2019Apocalypse d\u2019Angers, Atelier de Nicolas Bataille, Paris, 1373\u20131382, Angers, Ch\u00e2teau d\u2019Angers, cinqui\u00e8me pi\u00e8ce, sc\u00e8ne 64.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"28\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjczLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI4LTQucG5nIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/28-4.png'><img loading=\"lazy\" decoding=\"async\" width=\"63\" height=\"125\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/28-4.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-273\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-273'>\n\t\t\t\tLa grande prostitu\u00e9e sur les eaux (1,48 x 2,43m), Tenture de l\u2019Apocalypse d\u2019Angers, Atelier de Nicolas Bataille, Paris, 1373\u20131382, Angers, Ch\u00e2teau d\u2019Angers, cinqui\u00e8me pi\u00e8ce, sc\u00e8ne 64 (d\u00e9tail).\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"29\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjc0LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzI5LmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/29.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/29-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-274\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/29-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/29-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-274'>\n\t\t\t\tFigure 11 : Amant et Oiseuse, Le Roman de la Rose, Ma\u00eetre du Bo\u00e8ce Fr. 809, France (Anjou), vers 1460, Paris, BNF, D\u00e9partement des manuscrits, Ms. Fr. 19153, f. 5v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"30\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjc1LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzMwLTQucG5nIiwic2xpZGVzaG93IjoiMjUyZTg4MzIifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/30-4.png'><img loading=\"lazy\" decoding=\"async\" width=\"89\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/30-4-89x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-275\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-275'>\n\t\t\t\tFigure 11(a) : Amant et Oiseuse, Le Roman de la Rose, Ma\u00eetre du Bo\u00e8ce Fr. 809, France (Anjou), vers 1460, Paris, BNF, D\u00e9partement des manuscrits, Ms. Fr. 19153, f. 5v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"31\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjc2LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzMxLmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/31.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/31-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-276\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/31-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/31-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-276'>\n\t\t\t\tSir\u00e8ne poisson se coiffant, Heures dites de Yolande d&rsquo;Aragon, Ma\u00eetre de l\u2019Echevinage de Rouen, France (Rouen), vers 1460, Aix-en-Provence, BM, ms. 22, f. 115\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"32\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjc3LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzMyLmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/32.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"119\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/32-119x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-277\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-277'>\n\t\t\t\tSir\u00e8ne poisson se coiffant, Heures dites de Yolande d&rsquo;Aragon, Ma\u00eetre de l\u2019Echevinage de Rouen, France (Rouen), vers 1460, Aix-en-Provence, BM, ms. 22, f. 115 (d\u00e9tail)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"33\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjc4LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzMzLmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/33.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/33-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-278\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/33-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/33-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-278'>\n\t\t\t\tFigure 12 : Le diable et une femme tenant un miroir, Le Br\u00e9viaire d\u2019Amour, France (Languedoc), vers 1330\u20131340, Paris, BnF, D\u00e9partement des manuscrits,  Ms. Fr. 857, f. 197\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"34\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjc5LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzM0LmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/34.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/34-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-279\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/34-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/34-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-279'>\n\t\t\t\tFigure 12 (a) : Le diable et une femme tenant un miroir, Le Br\u00e9viaire d\u2019Amour, France (Languedoc), vers 1330\u20131340, Paris, BnF, D\u00e9partement des manuscrits,  Ms. Fr. 857, f. 197\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"35\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjgwLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzM1LmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/35.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/35-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-280\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/35-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/35-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-280'>\n\t\t\t\tFigure 13 : Luxure et dissolution charnelle, Le Livre des bonnes m\u0153urs, France (Vall\u00e9e de la Loire), vers 1490, Chantilly, Mus\u00e9e Cond\u00e9, Ms. 297, f. 109v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"36\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjgxLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzM2LmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/36.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/36-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-281\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/36-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/36-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-281'>\n\t\t\t\tFigure 13 (a) : Luxure et dissolution charnelle, Le Livre des bonnes m\u0153urs, France (Vall\u00e9e de la Loire), vers 1490, Chantilly, Mus\u00e9e Cond\u00e9, Ms. 297, f. 109v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"37\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjgyLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzM3LmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/37.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/37-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-282\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/37-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/37-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-282'>\n\t\t\t\tLes vivants face \u00e0 la Mort, Le mirouer des p\u00e9cheurs et p\u00e9cheresses, France (Paris), vers 1495, Paris, BNf, R\u00e9s.vel. 2229, f. 1 (d\u00e9tail)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"38\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjgzLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzM4LmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/38.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/38-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-283\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/38-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/38-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-283'>\n\t\t\t\tLes vivants face \u00e0 la Mort, Le mirouer des p\u00e9cheurs et p\u00e9cheresses, France (Paris), vers 1495, Paris, BNf, R\u00e9s.vel. 2229, f. 1 (d\u00e9tail)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"39\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg0LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzM5LmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/39.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/39-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-284\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/39-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/39-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-284'>\n\t\t\t\tFigure 14 : Louise de Laval \u00e0 sa toilette, Histoire d&rsquo;amour sans paroles, France (Vall\u00e9e de la Loire), vers 1500, Chantilly, Mus\u00e9e Cond\u00e9, ms. 388, f. 3\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"40\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg1LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzQwLmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/40.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/40-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-285\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/40-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/40-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-285'>\n\t\t\t\tFigure 14 (a) : Louise de Laval \u00e0 sa toilette, Histoire d&rsquo;amour sans paroles, France (Vall\u00e9e de la Loire), vers 1500, Chantilly, Mus\u00e9e Cond\u00e9, ms. 388, f. 3\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"41\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg2LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzQxLmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/41.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/41-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-286\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/41-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/41-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-286'>\n\t\t\t\tFigure 15 : Amant apercevant le reflet du rosier, Le Roman de la Rose, Ma\u00eetre du second Roman de la Rose de Jean 1er de Berry, France (Paris), vers 1400-1402, Paris, BNF, Ms. Fr. 12595, fol. 13v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"42\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg3LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzQyLmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/42.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/42-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-287\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/42-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/42-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-287'>\n\t\t\t\tFigure 16 : L\u2019amant embrassant la rose, Le Roman de la rose, France (Paris), vers 1350, Paris, BNF, Ms. Fr. 1567, f. 26v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"43\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg4LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzQzLmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/43.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/43-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-288\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/43-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/43-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-288'>\n\t\t\t\tFigure 17 : L&rsquo;Ymage d&rsquo;Amour, Le livre du Voir-Dit, France (Bourgogne), vers 1425-1430, New York, Pierpont Morgan Library, M 396, f. 168v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"44\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg5LCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzQ0LmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/44.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/44-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-289\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/44-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/44-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-289'>\n\t\t\t\tFigure 18 : Machaut convoitant la rose, Le Dit de la Rose, France (Reims), vers 1372-1377, Paris, BNF, Ms. Fr. 1584, f. 365v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"252e8832\" data-elementor-lightbox-title=\"45\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjkwLCJ1cmwiOiJodHRwczpcL1wvYXVkcmV5cGVubmVsLmZyXC90aGVzZVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAxOFwvMTBcLzQ1LmpwZyIsInNsaWRlc2hvdyI6IjI1MmU4ODMyIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/45.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/45-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-290\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/45-150x150.jpg 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/45-100x100.jpg 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-290'>\n\t\t\t\tPierre Sala donnant son c\u0153ur \u00e0 une marguerite, Emblesmes et devises d&rsquo;amour, Ma\u00eetre de la Chronique Scandaleuse, France (Paris et Lyon), vers 1506, Londres, British Library, Ms Stowe 955, f. 6\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Chapitre 10\u00a0: LES M\u00c9TAMORPHOSES DE LA DAME Le dixi\u00e8me et dernier chapitre de la th\u00e8se, est consacr\u00e9 aux m\u00e9tamorphoses de la dame \u00e0 travers les th\u00e9matiques visuelles de sa r\u00e9ification. Nous analysons sa red\u00e9finition en tant que corps social all\u00e9gorique, puis l\u2019expression symbolique de son corps \u00e0 travers l\u2019imagerie du ch\u00e2teau assi\u00e9g\u00e9 et du jardin &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/audreypennel.fr\/these\/les-metamorphoses-de-la-dame\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;LES M\u00c9TAMORPHOSES DE LA DAME&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-255","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/comments?post=255"}],"version-history":[{"count":3,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/255\/revisions"}],"predecessor-version":[{"id":293,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/255\/revisions\/293"}],"wp:attachment":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/media?parent=255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}