{"id":59,"date":"2018-10-13T22:49:53","date_gmt":"2018-10-13T20:49:53","guid":{"rendered":"http:\/\/audreypennel.fr\/these\/?page_id=59"},"modified":"2021-11-13T18:15:41","modified_gmt":"2021-11-13T17:15:41","slug":"un-hommage-a-la-dame","status":"publish","type":"page","link":"https:\/\/audreypennel.fr\/these\/un-hommage-a-la-dame\/","title":{"rendered":"UN HOMMAGE \u00c0 LA DAME"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"59\" class=\"elementor elementor-59 elementor-bc-flex-widget\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-64a4243d elementor-section-stretched animated-slow elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-invisible\" data-id=\"64a4243d\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;,&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-narrow\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-1a432bc1\" data-id=\"1a432bc1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-74812fa7 animated-slow elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"74812fa7\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Au sein de la deuxi\u00e8me partie de notre travail, nous consid\u00e9rons la red\u00e9finition de pratiques h\u00e9rit\u00e9es de certains rituels sociaux m\u00e9di\u00e9vaux dans les descriptions et les repr\u00e9sentations de rites ancr\u00e9s dans un \u00ab\u00a0imaginaire social\u00a0\u00bb courtois. <\/strong><\/p><p><strong>\u00a0<\/strong><\/p><p><strong>Chapitre 3\u00a0: UN HOMMAGE \u00c0 LA DAME<\/strong><\/p><p>Cette premi\u00e8re analyse s\u00e9rielle consacr\u00e9e \u00e0 l\u2019hommage permet d\u2019observer quelle place est occup\u00e9e par la dame en tant qu\u2019objet de d\u00e9sir ou sujet de la repr\u00e9sentation. <em>Domina<\/em> inspiratrice des gestes h\u00e9rit\u00e9s de la <em>Deditio<\/em> vassalique, reine, muse du po\u00e8te ou incarnation all\u00e9gorique, elle demeure la figure dominante d\u2019un jeu amoureux imaginaire, bas\u00e9 sur des rapports sociaux r\u00e9els. Repr\u00e9sent\u00e9e le plus souvent debout ou tr\u00f4nant en position de force, elle use de gestes \u00e9tudi\u00e9s, significatifs de son consentement ou de son refus face aux sollicitations masculines. Elle est \u00e9galement en possession de marqueurs d\u2019autorit\u00e9, \u00e9vocateurs son rang et de la sup\u00e9riorit\u00e9 qu\u2019elle d\u00e9tient sur l\u2019amant.<\/p><p style=\"text-align: justify;\">Les agissements de la dame, lou\u00e9e par l\u2019amant ou suppli\u00e9e par le chevalier vaincu, ne sont pas toujours exprim\u00e9s de fa\u00e7on litt\u00e9rale dans le r\u00e9cit d\u2019origine. Leur port\u00e9e symbolique est, en revanche, plus importante dans les images. La posture d\u2019agenouillement et la gestuelle de pri\u00e8re associ\u00e9es \u00e0 l\u2019amant, font face \u00e0 la position dominante et aux attributs d\u2019autorit\u00e9 de cette figure f\u00e9minine. La dame n\u2019appara\u00eet donc pas seulement comme un objet de v\u00e9n\u00e9ration et de convoitise. Elle choisit seule d\u2019accorder sa <em>mercy <\/em>ou de refuser l\u2019hommage.<\/p><p style=\"text-align: justify;\">L\u2019hommage est le th\u00e8me principal de notre \u00e9tude. Les caract\u00e8res formels qui lui sont propres, apparaissent \u00e9galement dans notre corpus pour signifier l\u2019humilit\u00e9 de l\u2019homme recevant un don de son aim\u00e9e (par exemple, une couronne de fleurs) ou pour montrer l\u2019amant en pri\u00e8re devant l\u2019<em>ymage<\/em> de sa dame ainsi que le croyant agenouill\u00e9 face \u00e0 l\u2019apparition de la Vierge. \u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-51d4341b elementor-invisible\" data-id=\"51d4341b\" data-element_type=\"column\" data-e-type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;slideInDown&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d8e01c1 elementor-widget elementor-widget-image-gallery\" data-id=\"d8e01c1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-image-gallery\">\n\t\t\t<div id='gallery-1' class='gallery galleryid-59 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"Chapitre 3 : UN HOMMAGE \u00c0 LA DAME\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjAsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvMS5wbmciLCJzbGlkZXNob3ciOiJkOGUwMWMxIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/1.png'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/1-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-60\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/1-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/1-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-60'>\n\t\t\t\tFigure 1: Hommage d&rsquo;Edouard III \u00e0 Philippe VI de Valois, Les Grandes Chroniques de France de Charles V, Ma\u00eetre du Couronnement de Charles VI, France (Paris), vers 1380, Paris, BNF, Ms. Fr. 2813, f. 357v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"2\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjEsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvMi5wbmciLCJzbGlkZXNob3ciOiJkOGUwMWMxIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/2.png'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/2-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-61\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/2-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/2-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-61'>\n\t\t\t\tHer Brunwart von Oghein et sa dame, Codex Manesse, Zurich, vers 1310-1340, Bibl. universitaire de Heidelberg, Cod. Pal. germ. 848, f. 258v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"3\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjIsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvMy5wbmciLCJzbGlkZXNob3ciOiJkOGUwMWMxIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/3.png'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-62\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-62'>\n\t\t\t\tFigure 2 : Machaut et sa dame, Le Rem\u00e8de de Fortune, Ma\u00eetre du Rem\u00e8de de Fortune, France (Paris), 1350-1355, Paris BNF, Ms. Fr. 1586, f. 54\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"4\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjMsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvNC5wbmciLCJzbGlkZXNob3ciOiJkOGUwMWMxIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/4.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/4-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-63\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/4-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/4-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-63'>\n\t\t\t\tFigure 3 : Margonde du Noir Chastel agenouill\u00e9 devant Gueni\u00e8vre, Lancelot en prose, Evrard d&rsquo;Espinques et collab, France (Ahun), vers 1470, Paris, BNF, Ms. Fr. 115, f. 380v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"5\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjQsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvNS5wbmciLCJzbGlkZXNob3ciOiJkOGUwMWMxIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/5.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/5-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-64\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/5-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/5-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-64'>\n\t\t\t\tMargonde du Noir Chastel devant Gueni\u00e8vre, Lancelot en prose, Angleterre, vers 1280, Paris, BNF, Ms. Fr. 123, f. 8\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"6\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjUsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvNi5wbmciLCJzbGlkZXNob3ciOiJkOGUwMWMxIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/6.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/6-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-65\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/6-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/6-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-65'>\n\t\t\t\tFigure 4 : Hommage, Le Dit du Cerf Blanc, France (Bell\u00eame), vers 1380 ?, Paris, BNF, Arsenal ms.5203, f. 156\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"7\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjYsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvNy5wbmciLCJzbGlkZXNob3ciOiJkOGUwMWMxIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/7.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/7-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-66\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/7-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/7-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-66'>\n\t\t\t\tFigure 5 : Machaut et sa dame, Lais, France (Reims), vers 1372-1377, Paris, BNF, Ms. Fr. 1584, f. 367\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"8\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjcsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOC5wbmciLCJzbGlkZXNob3ciOiJkOGUwMWMxIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/8.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/8-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-67\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/8-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/8-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-67'>\n\t\t\t\tFigure 6 : Homme agenouill\u00e9 devant une femme, Bestiaire d&rsquo;Amour, France (Metz), 1er quart du XIVe si\u00e8cle, Oxford, Bodleian Library, Ms. Douce 308, f. 100\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 0\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjgsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS0wLnBuZyIsInNsaWRlc2hvdyI6ImQ4ZTAxYzEifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-0.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-0-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-68\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-0-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-0-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-68'>\n\t\t\t\tFigure 7 : Le chevalier en hommage devant Connaissance, Le Livre du Chevalier errant, Ma\u00eetre de la Cit\u00e9 des Dames, France (Paris), vers 1403, Paris, BNF, Ms. Fr. 12559, f. 208v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 1\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjksInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS0xLnBuZyIsInNsaWRlc2hvdyI6ImQ4ZTAxYzEifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-1.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-1-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-69\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-1-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-1-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-69'>\n\t\t\t\tFigure 8 : Le chevalier amoureux, Miracles de Notre Dame, France (Soissons ?), 1\u00e8re moiti\u00e9 du XIVe si\u00e8cle, Paris, BNF, Ms. Fr. 22928, f. 136\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 2\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NzAsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS0yLnBuZyIsInNsaWRlc2hvdyI6ImQ4ZTAxYzEifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-2.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-2-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-70\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-2-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-2-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-70'>\n\t\t\t\tSainte Agn\u00e8s refusant les avances de Procope, Bible en images, Espagne (Pampelune), 1197, Amiens, Biblioth\u00e8que municipale, ms. 108, f. 248\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 3\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NzEsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS0zLnBuZyIsInNsaWRlc2hvdyI6ImQ4ZTAxYzEifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-3.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-3-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-71\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-3-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-3-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-71'>\n\t\t\t\tFigure 9 : Le diable tentant un homme par la pr\u00e9sence d\u2019une dame, Le Br\u00e9viaire d\u2019Amour, France (Languedoc), vers 1330-1340 ( ?), Paris, BNF, Ms. Fr. 857, f. 197v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 4\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NzIsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS00LnBuZyIsInNsaWRlc2hvdyI6ImQ4ZTAxYzEifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-4.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-4-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-72\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-4-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-4-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-72'>\n\t\t\t\tFigure 9 (a) : Le diable tentant un homme par la pr\u00e9sence d\u2019une dame, Le Br\u00e9viaire d\u2019Amour, France (Languedoc), vers 1330-1340 ( ?), Paris, BNF, Ms. Fr. 857, f. 197v (d\u00e9tail)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 5\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NzMsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS01LnBuZyIsInNsaWRlc2hvdyI6ImQ4ZTAxYzEifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-5.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-5-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-73\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-5-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-5-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-73'>\n\t\t\t\tBr\u00e9viaire d&rsquo;amour, France (Toulouse), 1er quart du XIVe si\u00e8cle, Londres, British Library, Royal 19 C I, f. 204v\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 6\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NzQsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS02LnBuZyIsInNsaWRlc2hvdyI6ImQ4ZTAxYzEifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-6.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-6-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-74\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-6-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-6-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-74'>\n\t\t\t\tFigure 10 : Machaut agenouill\u00e9 devant sa dame, Le Dit de la Harpe, Perrin Remiet, France (Paris), vers 1390, Paris, BNF, Ms. Fr. 22545, f. 137\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 7\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NzUsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS03LnBuZyIsInNsaWRlc2hvdyI6ImQ4ZTAxYzEifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-7.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-7-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-75\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-7-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-7-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-75'>\n\t\t\t\t\u00ab Vous ou la mort \u00bb, Ecu de parade, Bourgogne, deuxi\u00e8me moiti\u00e9 du XVe si\u00e8cle, Tempera sur bois, Londres, British Museum\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 8\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NzYsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS04LnBuZyIsInNsaWRlc2hvdyI6ImQ4ZTAxYzEifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-8.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-8-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-76\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-8-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-8-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-76'>\n\t\t\t\tFigure 11 : Fausse Amour d\u00e9guis\u00e9 en p\u00e8lerin et la Reine Ratio, Les Livres du roi Modus et de la Reine Ratio, Le Songe de Pestilence, Ma\u00eetre de Rambures, France (Amiens), 1485-1490, Paris, BNF, Arsenal ms. 3080, f.108r\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 9\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NzcsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS05LnBuZyIsInNsaWRlc2hvdyI6ImQ4ZTAxYzEifQ%3D%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-9.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-9-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-77\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-9-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-9-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-77'>\n\t\t\t\tFigure 12 : Complainte d&rsquo;amant, Complaintes, Ma\u00eetre du Policratique, France (Paris), 4e quart XIVe si\u00e8cle, Paris, BNF, Ms. Fr. 9221, f. 14\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 91\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NzgsInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS05MS5wbmciLCJzbGlkZXNob3ciOiJkOGUwMWMxIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-91.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-91-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-78\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-91-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-91-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-78'>\n\t\t\t\tFigure 13 : L\u2019amant arrive au sanctuaire de la Rose, Le Roman de la Rose, Robinet Testard, France (Cognac), vers 1498, Oxford, Bodleian Library, Ms. Douce 195, f. 155\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"d8e01c1\" data-elementor-lightbox-title=\"9 92\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NzksInVybCI6Imh0dHBzOlwvXC9hdWRyZXlwZW5uZWwuZnJcL3RoZXNlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDE4XC8xMFwvOS05Mi5wbmciLCJzbGlkZXNob3ciOiJkOGUwMWMxIn0%3D\" href='https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-92.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-92-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-79\" srcset=\"https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-92-150x150.png 150w, https:\/\/audreypennel.fr\/these\/wp-content\/uploads\/2018\/10\/9-92-100x100.png 100w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-79'>\n\t\t\t\tAmant rencontre Richesse, Le Roman de la Rose, Flandres (Bruges), 1490-1500, Londres, British Library, Harley 4425, f. 90v\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Au sein de la deuxi\u00e8me partie de notre travail, nous consid\u00e9rons la red\u00e9finition de pratiques h\u00e9rit\u00e9es de certains rituels sociaux m\u00e9di\u00e9vaux dans les descriptions et les repr\u00e9sentations de rites ancr\u00e9s dans un \u00ab\u00a0imaginaire social\u00a0\u00bb courtois. \u00a0 Chapitre 3\u00a0: UN HOMMAGE \u00c0 LA DAME Cette premi\u00e8re analyse s\u00e9rielle consacr\u00e9e \u00e0 l\u2019hommage permet d\u2019observer quelle place est &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/audreypennel.fr\/these\/un-hommage-a-la-dame\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;UN HOMMAGE \u00c0 LA DAME&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-59","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/59","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/comments?post=59"}],"version-history":[{"count":4,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/59\/revisions"}],"predecessor-version":[{"id":379,"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/pages\/59\/revisions\/379"}],"wp:attachment":[{"href":"https:\/\/audreypennel.fr\/these\/wp-json\/wp\/v2\/media?parent=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}